There are my takes on Chapter Four of Sarah Rothschild's The Princess Story. I focus particularly on introductory statements and interpretations of Mulan (1998).
Rothschild begins by arguing that Disney's second-wave, progressive princesses are only superficially feminist. She claims that, despite their spunky personalities, these princesses can't escape the patriarchal oppression they were born from.
Despite my love of Disney, I can concede that Rothschild has a point here. The fairytales the movies are based on have been adapted to fit Disney's signature mould: the magic of romance. Perhaps, as Rothschild suggests, this makes the films "anti-feminist in some disturbing ways", but it also can't be denied that Disney is a company, and their trademark is selling romance. So while, on the one hand they have a responsibility for what they show to children, on the other hand, they are producing romance bundled in a catchy tune to make profit, perhaps much like many rom-coms.
As I find with much of Rothschild's book, she goes on to make wild and contentious statements that she doesn't really back up with evidence. For instance, Rothschild speculates that "Belle, who vaguely says she wants "more", clearly wants the Prince Charming she reads about in books". I believe this statement to be unfounded and it is not at all backed up. Although Belle does enjoy reading romance novels, this does not translate to her "clearly" yearning for a Prince Charming. Quite to the contrary, I believe the "more" that she seeks is that of adventure, to be able to see the world and leave her provincial town with old-fashioned notions. It is Belle seeking opportunity and the chance to live her own life. This is shown as she sings of wanting "adventure in the great wide somewhere" after she outwits Gaston's attempted marriage ceremony. Gaston, though portrayed as a pig of a man, is the supposed Prince Charming of the town; he is the man the women swoon for and the men seek to be like. Evident in the song "Gaston" as "Every guy here'd love to be you, Gaston" and "No one...makes those beuts like Gaston". Yet Belle wants none of this. He represents the old patriarchal, oppression of women, and Belle transcends this "medieval" way of life by not marrying him.
I also fervently disagree with Rothschild's opinion that Belle's inkling for "more romance than she has been offered" is what drives her to offer herself to the Beast in place of her father. Belle felt no romantic notions towards the Beast at first, nor did she perceive her situation as the key to finding love. She simply loved her father and sacrificed herself in order to save him as he was elderly and sick and would surely have died in the Beasts dungeon.
Rothschild argues that "two men are responsible for Mulan's story" as the Huns attack China and the Emperor sends for conscription which initiates Mulan's action. However, I feel a more optimistic way to view this, is that Mulan steps up and takes action in an otherwise man ruled society. It is Mulan who decides to take her father's place, Mulan who comes up with the plans to save China. The fact that she takes this action to protect her father in the first place should in no way undermine what she does, it simply shows her as a loving and brave daughter. The fact she is a woman makes her all the more couragous as she fights stereotypes and risks death to do what she feels is right, where as for any man it would just be duty. In the film, the Emperor says that "one man may be the difference between victory and defeat" and then the shot immediately changes to Mulan. So Disney are already precluding that it is Mulan, a woman, who is this difference.
As Rothschild mention, interestingly, Mulan is the only Princess film with no kiss between the Princess and her love interest. Furthermore, Mulan is not actually a Princess; She is neither born royalty nor does she marry into it (Shang is an esteemed General, not royalty).
I agree with Rothschild that Mulan and her father share a strong and important relationship, and that Mulan goes to war to save her father and is ever conscious of bringing honour to their family.
Rothschild writes that "the girls do not ultimately get to save themselves. It is always the love interest who wins the final battle". Again, I simply do not agree with the conclusions she draws about Mulan, claiming that it is Shang who successfully implements Mulan's plan or that it is Mushu who releases the rocket, and so the males are the heroes. Umm.....has Rothschild forgotten Mulan's incredibly impressive rooftop fight scene with the Hun's leader!? Mulan is elegant, graceful, quick-thinking, agile, strong, brave, and heroic. She successfully defeats the Huns and saves all of China as well as the Emperor's life. Mulan was right all along, even when no one listened to her. Mulan came up with all the plans. Mulan even saves Shang, who would have been killed had she fled to safety with the others. It is Mulan who is presented with the Emperor's medallion, and the villain's sword. It is Mulan who all of China bows down to. I'm not quite sure how Rothschild missed all of that? I certainly feel that her biased dislike of Disney undermines her genuine arguments when she throws out such low jabbs at Disney such as this. Just as I'll admit my biased love of Disney swings me to their defense.
I further disagree with Rothschild's interpretations of the men rescuing Mulan. Rothschild interprets it negatively that Shang and the Emperor come to Mulan's defense against the counselor Chi Fu, arguing that is shows women need rescuing. However, I find this a positive image. Mulan has already proven she can fight for herself by saving all of China twice! So you can't say that she's weak or timid. She's already defied men's rules by taking her father's place in the army, so nor is she afraid to question authority. But, the importance of Shang and the Emperor coming to Mulan's defense against Chi Fu is that it shows she has changed people's attitudes and societal expectations. Now other men are showing they think it is despicable to call a woman a "treacherous snake" or say she's a "creature not worth protecting". In their defense of Mulan, they are defending all of women's rights.
The Emperor himself bows down to a woman, showing he has no prejudice against doing so.
Rothschild also takes the film out of context as she berates Mulan's father, Fa Zhou, for accepting her unconditionally in a reassuring conversation with her and then in private praying that she impresses the match-maker. However it is at the beginning of the film that he prays for her to do well at the match-makers and at the end, after Mulan has been away at war, that he sets aside the sword and medallion and says "The greatest gift and honour...is having you for a daughter". This shows Fa Zhou's progression, as after missing his daughter, he realises that she is perfect just the way she is and doesn't need to fit to conventions like other daughters.
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